
Spotlight


Sweet Georgia Brown - A Musical look at Savannah's History
One of the main draws to Savannah is our proclivity towards the macabre. On any given night of the week, there are dozens of ghost tours marching our squares, multiple museums touting the works of various ghouls of both supernatural and human origin, and a plaque on every historically significant building stating the various plagues/fires/freak accidents that occurred within their walls.
By Gwen Leahy
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Club One Re-opening
What is the difference between a theatre venue and a gay bar? If you are looking for a punchline, guess again, that is a genuine question. Culturally, these two spaces provide essentially the same services to their community: they are local hotspots for the arts, they are safe spaces for all different demographics of people, they provide joy and positivity within their communities... Plus, where else can you find three pounds of glitter around every corner?
By Gwen Leahy
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Getting to Know Hannah Glass!
Hannah Glass (She/Her, 32) is a teaching artist originally from Marietta, Ga who has been in Savannah for 10 years. As a SCCPSS teacher, she has taught approximately 3000 students at either the STEM academy at Bartlett, or the Savannah Arts Academy.
By Gwen Leahy
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Another Openin’, Another Show!
The New Oak Theatre Set to Open New Theatre Venue! Among Savannah’s daily hustle and bustle, there hides in plain sight a poorly-kept secret: Live entertainment is everywhere. From the music of various bands floating out of restaurants in City Market, to the near-weekly burlesque takeovers of downtown bars, to the buskers up and down River Street, the arts are alive and better than ever within our city. However, despite the obvious abundance of talent, all of these examples and more have a single daunting thing in common: They do not have a specific venue.
By Gwen Leahy
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Getting to Know Kathryn Scorza!
Kathryn Scorza is a logistics major based in Savannah. She has been doing theater her whole life, but transitioned into a more professional avenue over the last 7 years. Kathryn has stage managed in several theaters in Savannah including Savannah Children's Theatre, The Historic Savannah Theatre, and most recently The Bay Street Theatre.
By Gwen Leahy
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It’s ELECTRIFYIN’ !
The Savannah Theatre Presents: “Grease” In the mood for some summer lovin’? The Historic Savannah Theatre has you covered! Bringing you all things automatic, systematic, and hydromatic, their electrifying production of “Grease” has truly been the word around town (Okay, that’s enough script references now).
By Gwen Leahy
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Play-ing Around
Everyone with a love for the stage remembers their first performance. Whether it happened at five years old or forty five, the rush is the same: Taking your first deep breath as you walk onstage, blinded by the lights, adrenaline pumping as you try to remember anything you are supposed to be doing over the applause from the audience. Be it a theatre production, dance recital, concert, stand up, what have you, you were hooked. For many within the Savannah theatre community, this inciting incident was brought to them via the Savannah Children’s Theatre.
By Gwen Leahy
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Getting to Know Jeff DeVincent!
From The Desk of Mr. Jeffrey DeVincent: “I moved to Savannah about 27, 28, or 29 years ago (somewhere in there), and it truly feels like home. I’m grateful every day for the opportunity to teach extraordinary students at the incredible SCAD, and I also get to experience the pure bliss of directing at Bay Street Theater, which brings me great happiness. I share my life with four cats, and as an introvert, I cherish quiet moments.
By Gwen Leahy
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Ciao, Bella!
A Behind-the-Scenes Look into the Creation of Jin Hi Soucy Rand’s Newest Masterpiece
By Gwen Leahy
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Getting to Know Jin Hi!
After giving so much to us over the years, here is our chance to send some love back! Support Jin Hi’s trip to the Scotland to premier her one woman show “Bella” at the Edinburgh Festival Fringe via her Kickstarter: tinyurl.com/bellajinhi
By Gwen Leahy
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The Final Bow
Curtain Call: A Tribute to the Club One Stage For the performance community, “ends of eras” are a dime a dozen. It is the nature of the beast: for every glamorous opening night with a packed audience full of our most loyal stage devotees, there is always a curtain call; a moment when the costumes are hung on the rack, the props are stored, and lights come down one last time.
By Gwen Leahy
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Getting to Know Rayshawn Roberts!
Catch Rayshawn in “Casting Call: A Tribute to the Club One Stage” on April 18th
By Gwen Leahy
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